Showing posts with label general panic. Show all posts
Showing posts with label general panic. Show all posts

Monday, November 10, 2008

Music, Music, Music. Music.


After playing a really soul affirming set at Soft Belly last week, I'm playing once again with Ms White as The Baby Drivers this Friday at CERES Community Environment Park in East Brunswick. The Weekend People (featuring the disgustingly talented Nicholas Roy) are also playing. We'd so very much love to share some of our new tunes with you, so those without plans - you now have exciting ones with much promise. Hope to see you there from around 7 (we're on at 9pm). Costs $8/$5 at CERES cnr Stewart & Roberts St, East brunswick.

I'm also hoping to get back onto some theatre thoughts and reviews in the near future, now that I have finally finished work on my own projects (for the time being).

Let's talk soon, shall we?

Wednesday, May 28, 2008

Henson Circus

Visit Theatre Notes for Alison Croggon's wonderful open letter in support of Bill Henson - complete with a number of comments posted (many of which make my skin crawl).

It's a bit scary out there at times...

Friday, March 2, 2007

Facelifting

As you may have noticed, my page design has had a quick shave and haircut. Not sure of the results yet, but there were so many pretty designs available I thought it was wasteful to stick to one look forever.

I too am currently undergoing what feels strangely like a facelift procedure. I have returned once more to the loving arms of university - this time to begin a slightly more 'practical' course than Performing Arts: Social Work. I am hoping to use the degree to lead to a part-time career that will leave me a bit more secure and free to make theatre and music. So far, the results have been mixed. I have enjoyed a couple of the lectures, but can't help feeling like I am 'betraying' my arts background - this is not, after all the Master in Perf Arts I'm still considering, nor is it the VCA Animateuring course. Nor is it Rhys spreading his impressive theatrical (and musical) talents throughout Melbourne with an ever-growing canon of challenging work.

While I have a genuine interest in SW, I must admit one of the most appealling facets of the course is the guarantee of (paid!) work afterwards. For all the hours I have spent in rehearsals and at gigs, I am yet to see the millions in renumeration I had anticipated. Yes, Perf Arts is a difficult way to make a living - you need to be driven, but you also need to be lucky. I often find myself envying those who are able to live entirely off their artistic endeavours. Whether they are famous actors/singers, or avant garde companies doing the festival circuit, I often see their situation as ideal. However, perhaps being a 'full time' artist is not in the artist's best interests. If art is a tool to comment on the lives we lead, then perhaps the first step to becoming a successful artist is to get a life. (Ha! I'm scoff at my own argument).

We shall see. I made other plans and now I expect life to happen to me. John Lennon had better be right.